Utilizing recent developments in graphic technology, digital image processing, and artificial intelligence, the work of Diao Changyu, Chen Haitao, and Chen Qi celebrates the potential impact of digital technologies on the interpretation, study, and conversation of Chinese religious art. These three specialists use tools such as animation, 3-D printing, and virtual reality to create new opportunities for audiences of all backgrounds to engage with the historic past and preservation of Chinese artwork.
Sponsored by the Liu Institute for Asia and Asian Studies and the Department of Art, Art History, and Design. Support generously provided by the Notre Dame Institute for Scholarship in the Liberal Arts and the College of Arts and Letters Teaching Beyond the Classroom grant program.
Originally published at conductorshare.nd.edu.